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Cambridge Studies in Opera

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Opera And Modern Spectatorship In Late Nineteenth-century Italy
Alessandra Campana Couverture souple
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Three Modes of Perception in Mozart: The Philosophical, Pastoral, And Comic In Cosí Fan Tutte
Edmund J. Goehring Couverture souple
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The Rival Sirens: Performance And Identity On Handel's Operatic Stage
Suzanne Aspden Couverture souple
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Opera Acts: Singers And Performance In The Late Nineteenth Century
Karen Henson Couverture souple
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Opera and Society in Italy and France from Monteverdi to Bourdieu
Couverture souple
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Saint-saëns And The Stage: Operas, Plays, Pageants, A Ballet And A Film
Hugh Macdonald Couverture souple
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Wagner's Ring Cycle And The Greeks
Daniel H. Foster Couverture rigide
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German Opera: From the Beginnings to Wagner
JOHN WARRACK Couverture souple
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When Opera Meets Film
Marcia J. Citron Couverture rigide
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Opera In Postwar Venice: Cultural Politics And The Avant-garde
Harriet Boyd-bennett Couverture souple
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Johann Strauss and Vienna: Operetta and the Politics of Popular Culture
Camille Crittenden Couverture souple
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Opera Buffa In Mozart's Vienna
Couverture souple
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Opera in the Novel from Balzac to Proust
Cormac Newark Couverture rigide
138,95 $